SCHEDULE OF CLASSES
Rel 122 Religion and the Arts: Spring 2005

Students are strongly recommended NOT to print out this syllabus
as it will continue to develop and change over the course of the semester.

Rel 122 will meet on Tuesday and Thursday from 9:20 to 10:50am in Patterson Hall 311.

Rel 122 B will meet on Tuesday and Thursday from 11:00 to 12:30am in Patterson Hall 311.

My Office Hours will be Monday, Wednesday, and Friday: 2:00-3:00; Tuesday and Thursday 2:00-4:00, and by arrangement.

       1/18&20 | 1/25&27 | 2/1&3 | 2/8&10 | 2/15&17 | 2/22&24 | 3/1&3 |
3/8&10 | 3/15&17 | 3/19-28 | 3/29&31 | 4/5&7 | 4/12&14 | 4/19&21 | 4/26&28
Click the date to see the schedule for that week.

Acknowledgements
Available Articles
Grading
Week 1: Introduction: Religion and Art.

Excerpts from The Hunting of the Snark by Lewis Carroll.

"Just the place for a Snark!" the Bellman cried,
As he landed his crew with care;
Supporting each man on the top of the tide
By a finger entwined in his hair.

"Just the place for a Snark! I have said it twice:
That alone should encourage the crew.
Just the place for a Snark! I have said it thrice:
What I tell you three times is true."

The Bellman himself they all praised to the skies--
Such a carriage, such ease and such grace!
Such solemnity, too! One could see he was wise,
The moment one looked in his face!

He had bought a large map representing the sea,
Without the least vestige of land:
And the crew were much pleased when they found it to be
A map they could all understand.

"Other maps are such shapes, with their islands and capes!
But we've got our brave Captain to thank:
(So the crew would protest) "that he's bought us the best--
A perfect and absolute blank!"


Week 1.
Tuesday 1/18 Classes Begin: Introduction to the course and the class webpage. Procedures and Outcomes, etc. The Indeterminacy of Art and Religion.

Thursday 1/20 Another part of the Problem—the Biblical Injunction against the “graven image”: “Judaism and Art” by David Altshuler and Linda Altshuler in Art, Creativity, and the Sacred edited by Diane Apostolos-Cappadona (hereafter ACS), 155-163. Read Exodus 20.1–17 and Deuteronomy 5.6–21.
See these links on the texts of the Hebrew and Christian Bibles and on Jewish History.


Week 2.
Tuesday 1/25 The attraction of idolatry: “Reading Images in the Religious Studies Classroom” by Steven Engler and Irene Naested and “Art, Religion, and the Elite” by Nicholas Wolterstorff ACS, 262-273.

Thursday 1/27 Art and Religion at work—The Church at Assy: “Artists and Church Commissions” by John Dillenberger ACS, 193-204.

Your first submission of your class documentation is due today. It should be submitted as an e-mail attachment by Friday morning at 9pm at the very latest (earlier is better!).


Week 3.
Tuesday 2/1 Art and the Church Reconciled? “The Aesthetic Dimension in Theology” by Thomas Franklin O’Meara ACS 205-218.

Thursday 2/3 The Classical Roots of Religious Art—Orthodox Iconography:


Week 4.

"We have sailed many months, we have sailed many weeks,
(Four weeks to the month you may mark),
But never as yet ('tis your Captain who speaks)
Have we caught the least glimpse of a Snark!

"We have sailed many weeks, we have sailed many days,
(Seven days to the week I allow),
But a Snark, on the which we might lovingly gaze,
We have never beheld till now!

Tuesday 2/8 Later Developments: “Painting as Theological Thought: The Issues in Tuscan Theology” by John W. Dixon, Jr. ACS 277-296.

Thursday 2/10 The Subtleties and Complexities of Religious Art: “The Seven Functions of the Hands of Christ” by Leo Steinberg and “In Alia Effigie” by Charles Scribner III ACS 37-79.

Your second submission of your class documentation is due today. Please turn it in by 9am Friday morning at the latest. See the class R:drive for documents on modern art and the "Death of God."


Week 5.

"Come, listen, my men, while I tell you again"
The five unmistakable marks
By which you may know, wheresoever you go,
The warranted genuine Snarks.

"Let us take them in order. The first is the taste,
Which is meager and hollow, but crisp:
Like a coat that is rather too tight in the waist,
With a flavor of Will-o-the-wisp.

Tuesday 2/15 Some attempts to classify religious art—Tillich and Taylor: “Art and Ultimate Reality” by Paul Tillich and “Theological Expressions Through Visual Art Forms” by Doug Adams ACS 219-235 and 311-318.

Thursday 2/17 But how does it all work? “Concerning the Spiritual in Art” by Wassily Kandinski and “The Art of Deception” by Karen Laub-Novak ACS 3-7 and 12-23.
The operation of visual rhetoric.


Week 6.
Tuesday 2/22 “The Religious Impulse in American Art” by Joshua Taylor and “Can Art Fill the Vacuum” by Langdon B. Gilkey ACS 95-104 and 187-192.
You must submit a prospectus for your first short research paper by this date.

Thursday 2/24 Visiting Lecturer: Maureen Korp: “Seeing the Earth” and “Waiting and Watching.” There will also be a lecture from Prof. Korp on Thursday evening in the Heinz Series on Religion and the Religions: "The Soul's Journey: Constantin Brancusi's Great Vision."

Your third submission of your class documentation is due today.

Photographs of the Brancusi installation at Targu Jiu, Romania, courtesy of Maureen Korp.

Week 7.

"For, although common Snarks do no manner of harm,
Yet, I feel it my duty to say,
Some are Boojums--" The Bellman broke off in alarm,
For the Baker had fainted away.

" 'But oh, beamish nephew, beware of the day,
If your Snark be a Boojum! For then
You will softly and suddenly vanish away,
And never be met with again!'

Tuesday 3/1 Are we getting anywhere yet? “Reflections on Art and the Spirit” by Diane Apostolos-Cappadona and Stephen de Staebler; “When is Religion art? When It’s a Jar” by T. R. Martland and “Berdyaev and Rothko: Transformative Visions” by Roger Wedell ACS 24-33; 250-261 and 304-310.

Thursday 3/3 Further Dimensions—Religion and Politics, Sculpture, and Crafts: “The Nationalist Garden and the Holy Book” by Barbara Novak; “George Segal’s Abraham and Isaac” by Jane Dillenberger and “Craft: Making and Being” by Cecilia Davis Cunningham ACS 80-94; 105-124 and 8-11.
Your first short research paper is due today. (1,000 words.)



Week 8.

"I said it in Hebrew--I said it in Dutch--
I said it in German and Greek:
But I wholly forgot (and it vexes me much)
That English is what you speak!"

Tuesday 3/8 Beyond the Western World—Art and Pluralism: “Theological Reflections on an Image of Woman: Picasso’s Girl before a Mirror” by Melinda Wortz and “The Origin and Uses of Images in India” by Ananda K. Coomaraswamy ACS 297-303 and 127-137. Wen—the Chinese Confucians on Art.

Thursday 3/10 An Example of Buddhist Religious Art: the Tibetan Sand Mandala.


Week 9.
Tuesday 3/15 Islamic Art: “An Islamic Perspective on Symbolism and the Arts” by Lois Ibsen Al-Faruqi ACS 164-178. Consider the Alhambra. See also this website on Islamic Art.

Thursday 3/17 More on Islam—Music and Poetry: “The Place of Music in Quranic Recitation” by Abdurrahmen Cetin, American Journal of Islamic Social Science 16 (Spring 1999): 111-122. See also this on line Qur'an.

Your fourth submission of your class documentation is due today.


Week 10.

Saturday, March 19 - Monday, March 28 Mid Term & Easter Break.


Week 11.
Tuesday 3/29 Classes Resume but Dr. Rennie will be away at the International Congress of the IAHR in Tokyo (3/23-3/30)

Thursday 3/31 Will Dr. Rennie be back in time? Yes. But what sort of shape will he be in after the flight from Tokyo?


Week 12.
Tuesday 4/5 Japan: “Foundations for a Religio-Aesthetic Tradition in Japan” by Richard B. Pilgrim ACS 138-154.

Thursday 4/7 Some more theoretical considerations: “The Sacred and the Modern Artist” by Mircea Eliade ACS 179-183 and “What the Symbols Reveal” by Mircea Eliade, from The Two and the One, 201-211.


Week 13.

"'Tis a pitiful tale," said the Bellman, whose face
Had grown longer at every word:
"But, now that you've stated the whole of your case,
More debate would be simply absurd.

"The rest of my speech" (he explained to his men)
"You shall hear when I've leisure to speak it.
But the Snark is at hand, let me tell you again!
'Tis your glorious duty to seek it!

Tuesday 4/12 Student Exhibitions. If time permits after the allocated student exhibitions we will consider religious drama—“All the world’s a stage …” (Is the search for the all in the one characteristic of religious art? Consider, for example, ACS pp. 9, 138 & 208).

Thursday 4/14 Student Exhibitions. Possibly: Film: as well as more obvious items such as Gibson’s Crucifixion, consider the contemporary fascination with fantasy: The Matrix, Harry Potter, Lord of the Rings, Animé, etc.

Your fifth submission of your class documentation is due today.


Week 14.

They sought it with thimbles, they sought it with care;
They pursued it with forks and hope;
They threatened its life with a railway-share;
They charmed it with smiles and soap.

Tuesday 4/19 Student Exhibitions. Possibly: Poetry: The poetry of the Qur'an, Sufi poetry. Eliot’s Four Quartets illustrates the theme of the Quest (v. Laub-Novak, ACS 20). The Tao Te Ching as poetry.

Thursday 4/21 Student Exhibitions (in Orr auditorium for organ etc. performances). Possibly: Other Literature and the limitations of the textual understanding—the example of Jain studies (Cort, John Edward. “Art, Religion and Material Culture,” Journal of the American Academy of Religion 64 (1996): 613-632). Eliade’s Les Trois Grâces as example of modern allegory? Classics of religious literature: St. Teresa, St. John, The Cloud of Unknowing, Julian of Norwich. Emerson’s “The Poet,” Whitman’s “Song of Myself,” Shelley’s “In Defense of Poetry.”

Your second short research paper is due today. (1,500 words.)

"Leave him here to his fate--it is getting so late!"
The Bellman exclaimed in a fright.
"We have lost half the day. Any further delay,
And we sha'nt catch a Snark before night!"


Week 15.

"It's a Snark!" was the sound that first came to their ears,
And seemed almost too good to be true.
Then followed a torrent of laughter and cheers:
Then the ominous words "It's a Boo-"

Tuesday 4/26 The Tibetan Monks: Dance and Song as religious observation.

Thursday 4/28 Last Class!! Student Exhibitions.

Your sixth and final submission of your class documentation is due today. The final resubmission including all of your documentations is due in by the time of our final examination period.

In the midst of the word he was trying to say,
In the midst of his laughter and glee,
He had softly and suddenly vanished away---
For the Snark was a Boojum, you see.


Wednesday, 5/4 is reading day.

Finals period, Thursday 5/5 to Saturday 5/7 & Monday 5/9.

Term ends Monday May 9th.


Back

brennie@westminster.edu